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坐上傅昕恒的车潘世华记得自己答应过谢同学的事请教下老师们：用胸腔镜现在做冠脉搭桥是要什么条件听到他提问知道不是他要问而是谢婉莹要问周俊鹏代替傅昕...李所长说到这儿口气一言难尽做警察的最怕遇到这种人家家里的家务纠纷因为民警怎么处理两面都不是人估计医生和他一样犯难的打人者他妈妈说是因为听说你们医... 详情
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饭~
4.5 长焦特写拍出的细腻故事让人几乎触到文本原有的肌理狭窄的视野和交错的声音还原了那些烦躁又失神的时刻即使费兰特读得不够多也会发现一些重复要素：知识分子的骄矜闯入者社群和个人的对立秘密偷情作为不自觉的反抗女性启蒙者们对称关系暗处的缺失小说改编电影总是留下很多有趣的象征谜题：偷窃是报复还是弥补母爱玩偶是最完美的“女儿”吗（因为它不主动索取或抗议又随时乐于接受单向的“爱”）给出的礼物变成武器魔物娘的同居日常是不是在嘲弄主角的自作多情观看时暗暗揣测或许费兰特的故事因为过于诚实所以她必须匿名尽管对她笔下自我/事业和家庭/社群的对立仍然怀疑但一代入私人的成长经历自己对家庭的期待和焦虑就明白这或许是普遍意义上对女性的尖锐追问
鱼小勺
Black Mirror+Eternal Sunshine of the Spotless Mind+The Stanley Parable. “The worker therefore only feels himself outside his work, and in his work feels outside himself. He feels at home when he is not working, and when he is working he does not feel at home. His labor is therefore not voluntary, but coerced; it is forced labor.” Brought to you by Apple.
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